For those of you who enjoy woodland photography, you may already be aware of Simon Baxter and if you’re not then I recommend checking out his YouTube channel, you’ll be in for a treat.
It’s that time of year again when the male deer are looking magnificent ahead of the autumn rut (breeding season).
As usual, I’ve been out in Richmond Park a few times over the last couple of weeks, getting “in the zone” so to speak, with my photography. I always like to get in some practise before the main event, making sure my equipment is functioning and my technique is on the ball (steadiness, focusing, that sort of thing).
Bluebell season this year, for me, was a bit of a mixed bag. I didn’t get any “out of this world” shots, but I did manage a few I’m happy with.
A few days ago I travelled over to Gloucestershire to attend a one day autumn colours workshop at Westonbirt Arboretum run by Light & Land and led by award winning photographer Andy Farrer. It was a good day at a lovely, colourful location with a nice group of people. Weather was a bit grey but at least it didn’t pour down!
What to do when you find a nice (quiet) location but you think having a person in view would help add something to the image? Put the camera on a tripod, set your 10 second timer, step into the limelight and become the star of the show. Although, it’s not always quite as easy as it sounds, as I found out recently!
I’ve paid two visits to The Devil’s Punch Bowl at Hindhead over the past two weeks, firstly on a scouting mission for walking routes and secondly to conduct a 1-2-1 workshop which was then followed by a 2-hour stroll to scout out some more trails.
I’ve not posted on here for quite some time (four months apparently, having checked my last post) and there’s a reason for that – a new venture that’s occupied a lot of my time over the past two or three months.
Australia trip part 2 (part 1 here – Blue Mountains).
Our visit to Australia started in Sydney, but we also returned there after our jaunt to the Blue Mountains and again at the end of our stay before flying home. So by the end of it, we’d grown quite accustomed to Sydney.
For the last couple of years I’ve been making a series of images of a single tree. It’s a rather photogenic little beech tree set in a small but thick pine wood, with a lovely curved shape to the branches and foliage. It was certain contrasts that struck me when I first saw it. Firstly in scale, with the tall pines towering above it helping to emphasise it’s small stature. Then secondly in colour, with the muted browns of the pine trunks and woodland floor being outshone by the vibrant orange beech leaves as they held on through autumn and winter. Also, from certain viewpoints, it appeared very isolated being surrounded on all sides by tall trunks, almost penned in. Continue reading
This used to be a question that was easy to answer.
When I first started out in photography I only made landscape images, so I guess at that time I was a landscape photographer?
About five years ago I bought a macro lens for close-up work, so did I also become a macro photographer?