A few days ago I travelled over to Gloucestershire to attend a one day autumn colours workshop at Westonbirt Arboretum run by Light & Land and led by award winning photographer Andy Farrer. It was a good day at a lovely, colourful location with a nice group of people. Weather was a bit grey but at least it didn’t pour down!
What to do when you find a nice (quiet) location but you think having a person in view would help add something to the image? Put the camera on a tripod, set your 10 second timer, step into the limelight and become the star of the show. Although, it’s not always quite as easy as it sounds, as I found out recently!
I’ve paid two visits to The Devil’s Punch Bowl at Hindhead over the past two weeks, firstly on a scouting mission for walking routes and secondly to conduct a 1-2-1 workshop which was then followed by a 2-hour stroll to scout out some more trails.
I’ve not posted on here for quite some time (four months apparently, having checked my last post) and there’s a reason for that – a new venture that’s occupied a lot of my time over the past two or three months.
Australia trip part 2 (part 1 here – Blue Mountains).
Our visit to Australia started in Sydney, but we also returned there after our jaunt to the Blue Mountains and again at the end of our stay before flying home. So by the end of it, we’d grown quite accustomed to Sydney.
For the last couple of years I’ve been making a series of images of a single tree. It’s a rather photogenic little beech tree set in a small but thick pine wood, with a lovely curved shape to the branches and foliage. It was certain contrasts that struck me when I first saw it. Firstly in scale, with the tall pines towering above it helping to emphasise it’s small stature. Then secondly in colour, with the muted browns of the pine trunks and woodland floor being outshone by the vibrant orange beech leaves as they held on through autumn and winter. Also, from certain viewpoints, it appeared very isolated being surrounded on all sides by tall trunks, almost penned in. Continue reading
This used to be a question that was easy to answer.
When I first started out in photography I only made landscape images, so I guess at that time I was a landscape photographer?
About five years ago I bought a macro lens for close-up work, so did I also become a macro photographer?
After visiting an exhibition of images by talented Surrey based photographer Rachael Talibart, I was inspired to visit the Wey Navigation for a sunrise shoot. Visions of mist rolling over the water bathed in soft dawn light filled my head as I headed out early one morning a few days later. Turning off the A3 took me past Wisley Common where I noticed low lying mist through the trees, so it looked promising.
However, at the river the mist was hardly present, just a few thin swirls in small patches. So I headed back to Wisley Common, the draw of the mist being too great for a simple photographer to ignore.
I’ve recently returned from a trip to the Lake District. I spent a week in the Northern Lakes area, staying about a 15 minute drive north of Ullswater.
As I approached the lakes driving up the M6, I could see snow-capped mountains in the distance, and I could hardly contain myself with the anticipation of the week ahead.
Quickly checking in to my accommodation, I dumped my bags and headed straight out to Ullswater as there was only about 30 minutes until sunset. I wanted to grab a few shots and check out the location for sunrise the following morning.
The story behind the shot:
For some time now I’ve enjoyed photographing at Pen Ponds in Richmond Park (see location map at the end of this post). It’s usually quiet around sunrise and weather conditions can be great in September.
The overnight weather forecast predicted clear skies and I knew from experience that this location might have some mist, so I decided to head out early the following morning.